Which distortion pedal for metallica

Having a flexible EQ section can alleviate this. Its precise 3-band EQ allows you to control bass and treble, as well as select the frequency of the mids between Hz and 5kHz. Of course, you can deal with EQ issues at the amp, but that might leave your clean tone too thin when the pedal is off.

Amptweaker is the brainchild of James Brown, the lead engineer on the Peavey With that heritage, you might be forgiven for having high expectations - and Amptweaker delivers. Compared with the original TightMetal, the Jr has a much better noise gate, lower noise floor and additional EQ options that allow it to take on some of the tonality of its FatMetal pedal. Convincing chug and powerful arpeggiated chords are easy to find with a Les Paul and a Jazzmaster. With the tight switch engaged, the pedal will even djent.

With a seven-string in hand, you can smash out Tesseract without a mushy bass. The Fullbore is a distortion pedal done to near-perfection.

Fat and full at low gain, pushing the dial makes this pedal turn seriously nasty, with a saturated, jaw-breaking bark that punches holes in the mix and makes its rivals seem just a little polite by comparison. With a saturated, yet responsive chunk, the hi mode puts Foo Fighters, Metallica and Dream Theater at your feet, thanks to the extra EQ, which sparkles and scoops without any harshness.

But while you won't find transparent break-up tones on the lo mode, its harmonically rich overdrive cleans up beautifully with the guitar's volume knob.

The Pugilist offers dual gain engines A and B linked to a blend knob so you can have percent A or B or a mix of both. Channel A offers a slightly milder distortion than B, so you can use a touch of A to add clarity and pick attack to the saturated sound of B. Or you could have a mixture of both, reminiscent of playing through two amps. You can also choose to run the two engines in series where full-on high-gain sound with rich harmonics is pretty much guaranteed.

Read the full review: Fender Pugilist Distortion. The RAT is the original high-saturation distortion, and it still stands up for everything from post-hardcore to metal. Though its EQ options aren't so good for the djent kids, a flabby bottom-end is easy to fix at the amp end. Much of the tone of the original RAT was derived from the near triangular clipping caused by the slew rate of its LM opamp.

More modern units don't use this component however, so if you want the most authentic tone, try a replica like the Walrus Audio Iron Horse V2. Kirk Hammett's signature distortion pedal is a brutal-sounding thing, with a raging stack-esque delivery. We also love the treble control, which has bags of variation. To have all this power in one reasonably affordable pedal is a dream come true for metalheads.

Switching to the new Custom mode is another story. This is a cracking all-round distortion. Its defined bite and increased output is very noticeable and the tight control does exactly that - removing flab - and the BE impressively retains its character across the gain spectrum. It shines for chord work and lead lines, but is less at home with palm-muted styles. The Ecstasy Red pedal delivers the higher-gain modern lead sounds that really put Bogner on the map.

There are rotary controls for gain, bass, mid, treble and volume, with two presets for gain and volume that operate in the boost mode. Above the rotaries are four mini-toggle switches: Variac, which adds a dynamic compression effect; a mode switch with three gain options dubbed Tight, Full and Mellow; a three-way Pre-EQ switch that offers two types of bright emphasis plus a centre neutral option; and a three-way switch called Structure, which changes the pedal's gain and overall tonality to match the Ecstasy , and 20th Anniversary versions.

Read the full review: Bogner Ecstasy Red. MusicRadar The No. Included in this guide: 1. Image 1 of 2. Search only containers. Search titles only. Search Advanced search…. New posts. Search forums. Log in. Change style.

Contact us. Close Menu. Click Here. JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding. Thread starter Bentayuk Start date Dec 31, Bentayuk Senior Member. Messages 4, Mess Mark era Metallica in a pedal, what do we think? Messages 1, ProCo Rat will help with some of the early distorted tones.

Messages Lightning is boosted Marshall. InkblotNebula Member. A rat with a boost in front does Puppets surprisingly well. The big selling point is the set-thru mahogany neck, excellent at this price, the deep insertion join making for enhanced sustain.

It would also make an excellent candidate for modding, should you want to upgrade the pickups further down the line. In the beginning, it was all mid-range Marshall bark. That could be apocryphal, a footnote of metal mythology, but either way, it remains a high-water point for metal guitar tone. They would layer dozens of tracks on top of each other, only stopping when things started to get muddy.

With three channels and switchable voicings for each, this is an amplifier that will do more than just Metallica. The tight, high-gain of channel three is just what you need for a Hetfield tone, but with some careful EQ you should be able to nail all eras of his tone.

The switchable power output makes it suitable for a variety of contexts, the lowest watt setting still loud enough to peel paint off the wall. It is a phenomenal amplifier, with channel-assignable low-power settings so you can switch the power down from 35W to 25W or 10W. There are two channels, each with three different voicings.

Its Extreme mode is taken from the Mark V head, and is ideal for thick, high-gain crunch. There are so many great features. And the CabClone DI tech makes it ideal for recording direct.